嘉義民族管弦樂團小協奏音樂會《晨夕》 作曲｜劉貞伶 笛｜盧郁喬 鋼琴合作｜林佩勳 日期｜2023.11.05 地點｜嘉義縣表演藝術中心—實驗劇場 晨夕，猶朝夕，指旦與暮，一日自晨曦而始，至暮靄而終，隨光陰流轉，自然而然。古人云：「仰首羨日月，晨夕苦奔趨」，人們總是嘆羨光陰自然流轉，而人在其中卻時時勞苦奔走著。然若以自然為師，晨夕惜晨，駐足凝望片刻的晨曦與暮靄，我們是否能停下勞頓的腳步，感到安然自在？ 本曲為笛而作，由寧靜的散板開展，彈性的速度、隨意增減的音符長度，象徵著晨曦微漸，天地自微光中逐漸甦醒；接續是緩慢的柔板，寫陽光灑落，微風徐徐，蘆葦在風中搖曳，藉笛聲感物之悲喜。第三段快板，輕盈中帶有沈思，以樂敘事的風格延續到第四段散板，並運用泛音演奏，增添曲趣。末段再現旋律，由晨至夕，朝霞已成一抹斜陽，曦沉兮，略傷感，然明日兮明日，晨曦又起，周而復始，何處不自在？ " Dawn and Dusk " Composer｜LIU ZHEN LING Dizi｜LU YU QIAO Piano｜LIN PEI XUN Date｜November 05, 2023 Venue｜Chiayi Performing Arts Center, Taiwan Morning and evening, akin to dawn and dusk, denote the beginning and end of a day, from the break of dawn to the fading of dusk, following the natural rhythm of time. As the ancients said, "Gazing up, envious of the sun and moon, morning and evening laboriously rush." People often lament the natural passage of time while continuously toiling within it. However, if we take nature as our teacher, cherishing the morning and evening, pausing to gaze at the dawn and dusk for a moment, can we stop our weary steps and feel at peace? This piece, composed for flute, unfolds with a tranquil adagio, flexible tempo, and varying note lengths, symbolizing the gradual dawn as the world awakens from the faint light. It is followed by a slow and gentle andante, depicting sunlight streaming down, gentle breezes, and reeds swaying in the wind, evoking emotions through the flute's sound. The third section, allegro, light yet contemplative, continues the narrative style into the fourth section, adagio, incorporating harmonics to enhance the musicality. The final section reprises the melody, from morning to evening, where the morning glow has turned into a hint of sunset, somewhat melancholic, yet tomorrow, oh tomorrow, dawn breaks again, a cycle of renewal, where there is peace everywhere.